會時間表 Conference Schedule

主題講座：時代的挑戰 （I）
日期及時間：四月十九日，禮拜五，晚上八点正
講員：馬振龍傳道
語言：華語(英語字幕)

Keynote Message : The Challenge of the Times (I)
Date & Time: 19th April, 2024, Friday, 8pm
Speaker: Pastor Paul Niednagel
Language: Chinese, with English subtitle

主題講座：時代的挑戰 （II）
日期及時間：四月二十日，禮拜六，中午十二点三十
講員：馬振龍傳道
語言：華語(英語字幕)

Keynote Message : The Challenge of the Times (II)
Date & Time: 20th April, 2024, Saturday, 12:30pm
Speaker: Pastor Paul Niednagel
Language: Chinese, with English subtitle

主題發言：時代的挑戰 （III）
日期及時間：四月二十日，禮拜六，晚上八点正
講員：馬振龍傳道
語言：華語(英語字幕)

Keynote Message : The Challenge of the Times (III)
Date & Time: 20th April, 2024, Saturday, 8pm
Speaker: Pastor Paul Niednagel
Language: Chinese, with English subtitle

講題：帶領詩歌敬拜
日期及時間：四月二十日，禮拜六，下午一点四十五
講員：馬振龍傳道
授課語言：華語(英語字幕)

內容
1. 詩歌的挑選（與創作）
2. 詩歌敬拜的編排
3. 聚會的帶領

Title: Leading Songs of Worship
Date & Time: 20th April, 2024, Saturday, 1.45pm
Speaker: Pastor Paul Niednagel
Language of instruction: Chinese, with English subtitle

Contents:
1. Choosing (Writing) Songs
2. Planning Songs for a Worship Set
3. Leading a Gathering

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講題：即興伴奏樂趣彈 (I) & (II)
(I) 初學篇日期及時間：四月二十日，禮拜六，下午一点四十五
(II) 進深篇日期及時間：四月二十一日，禮拜天，下午一点四十五
講員：吉中鳴牧師
授課語言：華語 (英語字幕)

上臺伴奏帶來無限壓力，怎様放鬆，冷靜，又帶著情感在琴鍵上表逹出來？

內容包括：

即興伴奏樂趣彈 (I) – 初學篇
1. 上台彈奏無壓力
2. 脫離專注琴譜去用心境彈出多變化的方法
3. 掌握和弦及節奏的技巧
5. 導師即場示範敬拜時段彈奏過程及講解
6. Chord 與 Rhythm / fillin

即興伴奏樂趣彈 (II) – 進深篇
1. 上台彈奏無壓力
2. 脫離專注琴譜去用心境彈出多變化的方法
3. 彈奏前對歌曲的分析及演繹方法
4. 掌握和弦及節奏的技巧
5. 導師即場示範敬拜時段彈奏過程及講解
6. Chord 與 Rhythm / fillin / chord variation / reharmonization / intro / coda / ending / meditation / medley等等的講解

Title: Title: Play by Ear (I) & (II)
(I) Beginners Session Date & Time: 20th April, 2024, Saturday, 1.45pm
(II) Advanced Session Date & Time: 21st April, 2024, Sunday, 1.45pm
Speaker: Rev. Joseph Chi
Language of instruction: Mandarin, with English subtitle

Contents:
Accompanying on stage brings endless pressure. How can you relax, calm down, and express emotions through the piano keyboard?
Play by Ear (I) – Beginners Session
1. Play on stage without pressure
2. Break away from focusing on the music score and use your state of mind to create variations.
3. Master chordal and rhythmic skills
4. Demonstration and explanation on playing for worship
5. Chord and Rhythm/fillin

Play by Ear (II) – Advanced Session
1. Play on stage without pressure
2. Break away from focusing on the music score and use your state of mind to create variations.
3. Analysis and interpretation of songs before playing
4. Master chordal and rhythmic skills
5. Demonstration and explanation on playing for worship
6. Explanation of Chord and Rhythm / fillin / chord variation / reharmonization / intro / coda / ending / meditation / medley, etc.

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講題：視、唱、讚美 – 詩班員讀譜速成課程 (I&II)
日期及時間：
第一節：四月二十日，禮拜六，下午三点三十
第二節：四月二十一日，禮拜天，下午三点三十

講員：方錦源老師
授課語言：英語 (華語字幕)

內容：
從零開始，這兩節課讓沒有很多音樂知識的詩班員能夠看得懂合唱譜。 也為他們以後進一步的視唱訓練打下基礎。 課程涵蓋以下內容：
• 基本五線譜閱讀：譜號、音高、節奏、力度、表達等（也略提及簡譜和lead sheet）；
• 合唱樂譜導航：Closed score與open score、重複、D.C. al Fine、四聲部、鋼琴聲部等；
• 視唱入門：首調與固定調唱法、法國節奏唱名法、識別樂曲的調，數拍子等；
• 一些合唱團成員應有的常識。

Title: READ, SING, PRAISE – Music Reading Crash Course for Choir Members (I&II)
Date & Time:
Session 1: 20th April, 2024, Saturday, 3.30pm
Session 2: 21st April, 2024, Sunday, 3.30pm
Speaker: Mr Francis Fong
Language of instruction: English (Chinese subtitle)

Contents:
Starting from scratch, the two lessons enable choir members with little music knowledge to be able to follow a choral score. It also lays a foundation for further training in sight singing. The contents cover the following:
• Basic staff notation reading: clef, pitch, rhythm, dynamics, expressions, etc. (also touch upon number notation and lead sheet);
• Choral score navigation: Closed score & open score, repeat, D.C. al Fine, SATB parts, piano part, etc.;
• Introduction to sight-singing: fixed-doh & movable-doh methods, French time names method, keys recognition, rhythmic counting, etc.;
• Some general knowledge for choristers.

講題：基本指揮技巧
日期及時間：四月二十日，禮拜六，下午五点十五
講員：陳小雲教授
授課語言：英語 (華語字幕)
內容：
基本指揮技巧是專為樂樂團和合唱指揮而設計的工作坊。是次工作坊將討論指揮和排練的基本技巧。具體目標是幫助學生發展基本指揮技術的技能和知識、節拍模式、延音、節奏和力度變化、左手手勢、樂譜分析、樂譜閱讀、排練技巧以及指揮和教導教會音樂同工的心理學。

Title: Basic Conducting
Date & Time: 20th April, 2024, Saturday, 5.15pm
Speaker: Prof. Vicky Tan Warkentien
Language of instruction: English, with Chinese subtitle
Contents:
Basic Conducting is a workshop designed for instrumental and choral conductors. This workshop will address the art and craft of conducting and rehearsing. Specific goals are to help students develop skills in and knowledge of basic conducting technique, beat patterns, fermatas, tempo and dynamic changes, left-hand gestures, mechanics of the score, score reading, rehearsal techniques, and the psychology of conducting and teaching church musicians.

講題：詩歌敬拜的音樂呈現
日期及時間：四月二十一日，禮拜天，下午一点四十五
講員：馬振龍傳道
授課語言：華語(英語字幕)
內容：
1. 敬拜的音樂技巧
2. 樂器在崇拜中的角色
3. 音樂的彩排與呈現

Title: Putting Worship to Music
Date & Time: 21st April, 2024, Sunday, 1.45pm
Speaker: Pastor Paul Niednagel
Language of instruction: Chinese, with English subtitle

Contents:
1. Musical Skills for Worship
2. The Role of Instruments in Worship
3. Musical Rehearsal and Performance

講題： 中級指揮技巧
日期及時間：四月二十一日，禮拜天，下午五点十五分
講員：陳小雲教授
授課語言：英語 (華語字幕)
內容：
中級指揮技巧是基本指揮技巧的延續課程。此工作坊強調教会诗班指挥基本技能的發展，以及日常排練中問題的解決方案與應用；其主要目標是為指揮提供教會合唱資訊，技術和經驗，以幫助教會音樂同工在聖樂和審美能力上的發展。

Title: Intermediate Conducting
Date & Time: 20th April, 2024, Saturday, 5.15pm
Speaker: Prof. Vicky Tan Warkentien
Language of instruction: English, with Chinese subtitle
Contents:
Intermediate Conducting is a continuation of the development in the art of choral conducting. The workshop stresses the development of fundamental skills as well as the application of practical solutions to problems found in everyday rehearsals. The primary goal of this workshop is to provide choral directors with the information, materials, techniques, and experiences required to establish a quality church choral program that will assist in the development of church musicians’ musical and aesthetic capacities.

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講題：在崇拜裡中國樂器的運用 (I) & (II)
(I) 日期及時間：四月二十日，禮拜六，下午五点十五
(II) 日期及時間：四月二十一日，禮拜天，下午五点十五
講員：方錦源老師
授課語言：華語 (英語字幕)

內容：
這個課程主要是給對中國音樂不太認識的人，可以獲得運用中國樂器在崇拜中的基本知識。其內容包括：
• 【聖樂本色化】簡短導言；
• 最常用的幾件中國樂器的個別性能及配器要注意的地方；
• 中國樂器小合奏和混合中西樂器的配器法；
• 給詩歌編配中國樂器。

Title: The use of Chinese Instruments in Worship (I) & (II)
(I) Date & Time: 20th April, 2024, Saturday, 5.15pm
(II) Date & Time: 21st April, 2024, Sunday, 5.15pm
Speaker: Mr Francis Fong
Language of instruction: Mandarin, with English subtitle

Contents:
This course is mainly for people who have little background of Chinese music so that they can build up some basic knowledge on how to use Chinese musical instruments in worship. The contents include:
• Very brief introduction to the concept of ‘contextualisation of sacred music’;
• Special features of a few most common Chinese musical instruments and things to pay attention to when doing instrumentation;
• Instrumentation for small ensembles of Chinese instruments and ensembles of mixed Chinese and Western instruments;
• Hymn/anthem arrangements for Chinese instruments.

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講題： 創意作曲技法之「旋星探秘」(I) & (II)
(I) 日期及時間：四月二十日，禮拜六，下午三点三十
(II) 日期及時間：四月二十一日，禮拜天，下午三点三十
講員：林建兒老師
授課語言：華語 (英語字幕)

內容：

(I) : 可視為序或導言。
「希臘古五聲，循環按主星，
時代的挑戰，換日賦新星。」
我嘗試借古鑑今，用原始的希臘五聲音階引伸不同素材，示範多種聲響創作及變化，為一般傳統的聲響素材添枝加葉，藉此豐富及壯大音樂創作技法，以茲分享給同好。

(II) : 可視為作曲技法的實踐及活用探討。
不論傳統抑或新式材料，我們如何設計並應用所選擇的音群及聲響素材？

假設，按幾個簡單星座 (Constellation) 的亮星形象，如 :
天燕座 (Apus) α, β, γ, δ1, δ2 五亮星，或天鴿座 (Columba) α, β, γ, δ, ε, η, κ 七亮星 …等，經過音群的混合變化及重組而模擬成為不同的多聲音程 / 音階 / 和聲素材 (以十二個半音以內的任何數為限)。

1. 創意地設定重點音程、音型及和聲，運用「加減法」(Additive & Subtractive)增生多樣可變的積體(Variable texture)。
2. 全曲藉適切的藝術意境 (Artistic phenomena)，及配合各種匹配的節奏型態 (Rhythmic figures) 去塑造一個恰當而絢麗的聲響意象 (Acoustic image)。

• 用在課堂上的音階 :
Pentatonic scales (5 notes) / Hexatonic scales (6 notes) / Heptatonic scales
(7 notes) / Octatonic scales (8 notes) / Enneatonic scales (9 notes) /
Decatonic scales (10 notes) / Combined scales (9-11 notes) … etc.

[在這個課堂中，將會附上大量譜例及聲響例子，以供視聽參考]

Title: Creative Music Composition – “Exploration of Spiral Stars” (I) & (II)
Date & Time: 20th April 2024, Saturday, 3.30pm
Date & Time: 21st April 2024, Sunday, 3.30pm
Speaker: Mr. LAM Kin-yee, Gabriel
Language of instruction: Mandarin, with English subtitle

Contents:

A: Forward or Introduction
「Ancient Greek Pentatonic Scale,
Recurring in accordance with the main tone [main sequence star];
The challenge of the times,
Give nova for a new day.」
I try to learn from the past and the present by using various elements of the ancient Greek Pentatonic Scale. I would like to share this knowledge with you to demonstrate different ways of writing to enrich the traditional methods.

B: Practice & Live Exploration

Whether it is traditional or new material, how do we design and apply the chosen tone clusters and sonorities?

Suppose we use several simple constellations, such as:
The Apus (α, β, γ, δ1, δ2) 5 bright stars,
Columba (α, β, γ, δ, ε, η, κ) 7 bright stars….

to mix and change tone clusters to rearrange and mold into multiple intervals, scales, and harmony material (limiting to any number of semitones within the chromatic scale).

1/ Creatively setting principal intervals, melodic shapes and harmony by using ‘Additive & Subtractive’ methods to increase multiple variable textures.
2/ Through appropriate ‘artistic phenomena’ to match various ‘rhythmic figures’ to build an appropriate and ablaze ‘acoustic image’.

Scales to be used in class:
Pentatonic scales (5 notes),
Hexatonic scales (6 notes),
Heptatonic scales (7 notes),
Octatonic scales (8 notes),
Enneatonic scales (9 notes),
Decatonic scales (10 notes),
Combined scales (9-11 notes)….etc.

[A large number of music scores and sound effects will be presented for audio-visual reference. ]