{"id":3551,"date":"2023-11-04T14:04:26","date_gmt":"2023-11-04T14:04:26","guid":{"rendered":"https:\/\/waccm.com\/?page_id=3551"},"modified":"2024-02-18T15:22:04","modified_gmt":"2024-02-18T15:22:04","slug":"schedule","status":"publish","type":"page","link":"https:\/\/waccm.com\/en\/schedule\/","title":{"rendered":"\u6703\u6642\u9593\u8868 Conference Schedule"},"content":{"rendered":"

\u63d0\u793a \uff1a<\/span>  \u9ede\u64ca\u8ab2\u7a0b\u4e86\u89e3\u66f4\u591a<\/h4>\n

Hint :<\/span>  Click on course for info<\/h4>\n


\n<\/p>\n\n\n\n\n\n
\u9031\u4e94 Friday 19th April<\/td>\n\u9805\u76ee Event<\/td>\n<\/tr>\n
1930-2000 hrs<\/td>\n\u958b\u5e55\u79ae Opening Ceremony<\/td>\n<\/tr>\n
2000-2100 hrs<\/td>\n\u4e3b\u984c\u8b1b\u5ea7 Keynote Message (I)<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u9031\u516d Saturday 20th April<\/td>\n\u9805\u76ee Event<\/td>\n<\/tr>\n
1230-1330 hrs<\/td>\n\u4e3b\u984c\u8b1b\u5ea7 Keynote Message (II)<\/a><\/td>\n<\/tr>\n
1345-1515 hrs<\/td>\n\u9078\u8ab2\u7532
option A<\/b><\/td>\n		\u5e36\u9818\u8a69\u6b4c\u656c\u62dc Leading Songs of Worship<\/a><\/td>\n<\/tr>\n
\u9078\u8ab2\u4e59
option B<\/b><\/td>\n		\u5373\u8208\u4f34\u594f\u6a02\u8da3\u5f48 (I) – \u521d\u5b78\u7bc7 Play by Ear (I) \u2013 Beginners Session<\/a><\/td>\n<\/tr>\n
1530-1700 hrs<\/td>\n\u9078\u8ab2\u7532
option A<\/b><\/td>\n		\u8a69\u73ed\u54e1\u8b80\u8b5c\u901f\u6210\u8ab2\u7a0b Music Reading Crash Course for Choir Members (I)<\/a><\/td>\n<\/tr>\n
\u9078\u8ab2\u4e59
option B<\/b><\/td>\n		\u5275\u610f\u4f5c\u66f2\u6280\u6cd5\u4e4b-\u65cb\u661f\u63a2\u79d8 Creative Music Composition – Exploration of Spiral Stars (I)<\/a><\/td>\n<\/tr>\n
1715-1845 hrs<\/td>\n\u9078\u8ab2\u7532
option A<\/b><\/td>\n		\u5728\u5d07\u62dc\u88e1\u4e2d\u570b\u6a02\u5668\u7684\u904b\u7528 The use of Chinese Instruments in Worship (I)<\/a><\/td>\n<\/tr>\n
\u9078\u8ab2\u4e59
option B<\/b><\/td>\n		\u57fa\u672c\u6307\u63ee\u6280\u5de7 Basic Conducting<\/a><\/td>\n<\/tr>\n
1930-2000 hrs<\/td>\n\u8a69\u73ed\u737b\u5531\u5c55\u793a Choir Performance Showcase<\/td>\n<\/tr>\n
2000-2100 hrs<\/td>\n\u4e3b\u984c\u767c\u8a00 Keynote Message (III)<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
\u9031\u65e5 Sunday 21st April<\/td>\n\u9805\u76ee Event<\/td>\n<\/tr>\n
1345-1515 hrs<\/td>\n\u9078\u8ab2\u7532
option A<\/b><\/td>\n		\u8a69\u6b4c\u656c\u62dc\u7684\u97f3\u6a02\u5448\u73fe Putting Worship to Music<\/a><\/td>\n<\/tr>\n
\u9078\u8ab2\u4e59
option B<\/b><\/td>\n		\u5373\u8208\u4f34\u594f\u6a02\u8da3\u5f48 (I) – \u9032\u6df1\u7bc7 Play By Ear (II) – Advanced Session<\/a><\/td>\n<\/tr>\n
1530-1700 hrs<\/td>\n\u9078\u8ab2\u7532
option A<\/b><\/td>\n		\u8a69\u73ed\u54e1\u8b80\u8b5c\u901f\u6210\u8ab2\u7a0b Music Reading Crash Course for Choir Members (II)<\/a><\/td>\n<\/tr>\n
\u9078\u8ab2\u4e59
option B<\/b><\/td>\n		\u5275\u610f\u4f5c\u66f2\u6280\u6cd5\u4e4b-\u65cb\u661f\u63a2\u79d8 Creative Music Composition – Exploration of Spiral Stars (II)<\/a><\/td>\n<\/tr>\n
1715-1845 hrs<\/td>\n\u9078\u8ab2\u7532
option A<\/b><\/td>\n		\u5728\u5d07\u62dc\u88e1\u4e2d\u570b\u6a02\u5668\u7684\u904b\u7528 The use of Chinese Instruments in Worship (II)<\/a><\/td>\n<\/tr>\n
\u9078\u8ab2\u4e59
option B<\/b><\/td>\n		\u4e2d\u7d1a\u6307\u63ee\u6280\u5de7 Intermediate Conducting<\/a><\/td>\n<\/tr>\n
1930-2100 hrs<\/td>\n\u8ad6\u58c7 Forum <\/b>
\u6771\u5357\u4e9e\u6642\u5340\u6642\u9593\u9069\u7528 S.E. Asia Time Zone time only<\/span>
\u4e3b\u984c\uff1a\u6642\u4ee3\u7684\u6311\u6230 Topic: The Challenge of the Times
\n \u83ef\u8a9e\u7d44 Mandarin stream
\n \u82f1\u8a9e\u7d44 English stream
\n \u7cb5\u8a9e\u7d44 Cantonese stream<\/p>\n<\/td>\n<\/tr>\n
2100-2115 hrs<\/td>\n\u9589\u5e55\u79ae Closing Ceremony<\/b>
\u6771\u5357\u4e9e\u6642\u5340\u6642\u9593\u9069\u7528 S.E. Asia Time Zone time only<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n

\u8ab2\u7a0b\u8cc7\u8a0a Course Information<\/h3>\n

<\/p>\n

\n
\u8fd4\u56de return<\/b><\/a><\/div>\n
\n\u4e3b\u984c\u8b1b\u5ea7\uff1a\u6642\u4ee3\u7684\u6311\u6230 \uff08I\uff09<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u5341\u4e5d\u65e5\uff0c\u79ae\u62dc\u4e94\uff0c\u665a\u4e0a\u516b\u70b9\u6b63
\n\u8b1b\u54e1\uff1a\u99ac\u632f\u9f8d\u50b3\u9053
\n\u8a9e\u8a00\uff1a\u83ef\u8a9e(\u82f1\u8a9e\u5b57\u5e55)<\/p>\n<\/div>\n
\nKeynote Message : The Challenge of the Times (I)<\/b>
\nDate & Time: 19th April, 2024, Friday, 8pm
\nSpeaker: Pastor Paul Niednagel
\nLanguage: Chinese, with English subtitle\n<\/div>\n<\/div>\n

<\/p>\n

\n
\u8fd4\u56de return<\/b><\/a><\/div>\n
\n\u4e3b\u984c\u8b1b\u5ea7\uff1a\u6642\u4ee3\u7684\u6311\u6230 \uff08II\uff09<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u4e2d\u5348\u5341\u4e8c\u70b9\u4e09\u5341
\n\u8b1b\u54e1\uff1a\u99ac\u632f\u9f8d\u50b3\u9053
\n\u8a9e\u8a00\uff1a\u83ef\u8a9e(\u82f1\u8a9e\u5b57\u5e55)<\/p>\n<\/div>\n
\nKeynote Message : The Challenge of the Times (II)<\/b>
\nDate & Time: 20th April, 2024, Saturday, 12:30pm
\nSpeaker: Pastor Paul Niednagel
\nLanguage: Chinese, with English subtitle\n<\/div>\n<\/div>\n

<\/p>\n

\n
\u8fd4\u56de return<\/b><\/a><\/div>\n
\n\u4e3b\u984c\u767c\u8a00\uff1a\u6642\u4ee3\u7684\u6311\u6230 \uff08III\uff09<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u665a\u4e0a\u516b\u70b9\u6b63
\n\u8b1b\u54e1\uff1a\u99ac\u632f\u9f8d\u50b3\u9053
\n\u8a9e\u8a00\uff1a\u83ef\u8a9e(\u82f1\u8a9e\u5b57\u5e55)<\/p>\n<\/div>\n
\nKeynote Message : The Challenge of the Times (III)<\/b>
\nDate & Time: 20th April, 2024, Saturday, 8pm
\nSpeaker: Pastor Paul Niednagel
\nLanguage: Chinese, with English subtitle\n<\/div>\n<\/div>\n

<\/p>\n

<\/p>\n

\n
\u8fd4\u56de return<\/b><\/a><\/div>\n
\n\u8b1b\u984c\uff1a\u5e36\u9818\u8a69\u6b4c\u656c\u62dc<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u4e0b\u5348\u4e00\u70b9\u56db\u5341\u4e94
\n\u8b1b\u54e1\uff1a\u99ac\u632f\u9f8d\u50b3\u9053
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u83ef\u8a9e(\u82f1\u8a9e\u5b57\u5e55)<\/p>\n

\u5167\u5bb9
\n1. \u8a69\u6b4c\u7684\u6311\u9078\uff08\u8207\u5275\u4f5c\uff09
\n2. \u8a69\u6b4c\u656c\u62dc\u7684\u7de8\u6392
\n3. \u805a\u6703\u7684\u5e36\u9818\n<\/p><\/div>\n

\nTitle: Leading Songs of Worship<\/b>
\nDate & Time: 20th April, 2024, Saturday, 1.45pm
\nSpeaker: Pastor Paul Niednagel
\nLanguage of instruction: Chinese, with English subtitle<\/p>\n

Contents:
\n1. Choosing (Writing) Songs
\n2. Planning Songs for a Worship Set
\n3. Leading a Gathering\n<\/p><\/div>\n<\/div>\n

<\/p>\n

\n
\n

FOR ENGLISH SCROLL DOWN<\/b><\/p>\n

\u8fd4\u56de return<\/b><\/a><\/div>\n

\n\u8b1b\u984c\uff1a\u5373\u8208\u4f34\u594f\u6a02\u8da3\u5f48 (I) & (II)<\/b>
\n(I) \u521d\u5b78\u7bc7\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u4e0b\u5348\u4e00\u70b9\u56db\u5341\u4e94
\n(II) \u9032\u6df1\u7bc7\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u4e00\u65e5\uff0c\u79ae\u62dc\u5929\uff0c\u4e0b\u5348\u4e00\u70b9\u56db\u5341\u4e94
\n\u8b1b\u54e1\uff1a\u5409\u4e2d\u9cf4\u7267\u5e2b
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u83ef\u8a9e (\u82f1\u8a9e\u5b57\u5e55)<\/p>\n

\u4e0a\u81fa\u4f34\u594f\u5e36\u4f86\u7121\u9650\u58d3\u529b\uff0c\u600e\u69d8\u653e\u9b06\uff0c\u51b7\u975c\uff0c\u53c8\u5e36\u8457\u60c5\u611f\u5728\u7434\u9375\u4e0a\u8868\u9039\u51fa\u4f86\uff1f<\/p>\n

\u5167\u5bb9\u5305\u62ec\uff1a\t<\/p>\n

\u5373\u8208\u4f34\u594f\u6a02\u8da3\u5f48 (I) – \u521d\u5b78\u7bc7
\n1. \u4e0a\u53f0\u5f48\u594f\u7121\u58d3\u529b
\n2. \u812b\u96e2\u5c08\u6ce8\u7434\u8b5c\u53bb\u7528\u5fc3\u5883\u5f48\u51fa\u591a\u8b8a\u5316\u7684\u65b9\u6cd5
\n3. \u638c\u63e1\u548c\u5f26\u53ca\u7bc0\u594f\u7684\u6280\u5de7
\n5. \u5c0e\u5e2b\u5373\u5834\u793a\u7bc4\u656c\u62dc\u6642\u6bb5\u5f48\u594f\u904e\u7a0b\u53ca\u8b1b\u89e3
\n6. Chord \u8207 Rhythm \/ fillin <\/p>\n

\u5373\u8208\u4f34\u594f\u6a02\u8da3\u5f48 (II) – \u9032\u6df1\u7bc7
\n1. \u4e0a\u53f0\u5f48\u594f\u7121\u58d3\u529b
\n2. \u812b\u96e2\u5c08\u6ce8\u7434\u8b5c\u53bb\u7528\u5fc3\u5883\u5f48\u51fa\u591a\u8b8a\u5316\u7684\u65b9\u6cd5
\n3. \u5f48\u594f\u524d\u5c0d\u6b4c\u66f2\u7684\u5206\u6790\u53ca\u6f14\u7e79\u65b9\u6cd5
\n4. \u638c\u63e1\u548c\u5f26\u53ca\u7bc0\u594f\u7684\u6280\u5de7
\n5. \u5c0e\u5e2b\u5373\u5834\u793a\u7bc4\u656c\u62dc\u6642\u6bb5\u5f48\u594f\u904e\u7a0b\u53ca\u8b1b\u89e3
\n6. Chord \u8207 Rhythm \/ fillin \/ chord variation \/ reharmonization \/ intro \/ coda \/ ending \/ meditation \/ medley\u7b49\u7b49\u7684\u8b1b\u89e3<\/p>\n<\/div>\n

\nTitle: Title: Play by Ear (I) & (II)<\/b>
\n(I) Beginners Session Date & Time: 20th April, 2024, Saturday, 1.45pm
\n(II) Advanced Session Date & Time: 21st April, 2024, Sunday, 1.45pm
\nSpeaker: Rev. Joseph Chi
\nLanguage of instruction: Mandarin, with English subtitle<\/p>\n

Contents:
\nAccompanying on stage brings endless pressure. How can you relax, calm down, and express emotions through the piano keyboard?
\nPlay by Ear (I) \u2013 Beginners Session
\n1. Play on stage without pressure
\n2. Break away from focusing on the music score and use your state of mind to create variations.
\n3. Master chordal and rhythmic skills
\n4. Demonstration and explanation on playing for worship
\n5. Chord and Rhythm\/fillin<\/p>\n

Play by Ear (II) \u2013 Advanced Session
\n1. Play on stage without pressure
\n2. Break away from focusing on the music score and use your state of mind to create variations.
\n3. Analysis and interpretation of songs before playing
\n4. Master chordal and rhythmic skills
\n5. Demonstration and explanation on playing for worship
\n6. Explanation of Chord and Rhythm \/ fillin \/ chord variation \/ reharmonization \/ intro \/ coda \/ ending \/ meditation \/ medley, etc.\n<\/p><\/div>\n<\/div>\n

<\/p>\n

\n
\n

FOR ENGLISH SCROLL DOWN<\/b><\/p>\n

\u8fd4\u56de return<\/b><\/a><\/div>\n

\n\u8b1b\u984c\uff1a\u8996\u3001\u5531\u3001\u8b9a\u7f8e – \u8a69\u73ed\u54e1\u8b80\u8b5c\u901f\u6210\u8ab2\u7a0b (I&II)<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a
\n\u7b2c\u4e00\u7bc0\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u4e0b\u5348\u4e09\u70b9\u4e09\u5341
\n\u7b2c\u4e8c\u7bc0\uff1a\u56db\u6708\u4e8c\u5341\u4e00\u65e5\uff0c\u79ae\u62dc\u5929\uff0c\u4e0b\u5348\u4e09\u70b9\u4e09\u5341<\/p>\n

\u8b1b\u54e1\uff1a\u65b9\u9326\u6e90\u8001\u5e2b
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u82f1\u8a9e (\u83ef\u8a9e\u5b57\u5e55)<\/p>\n

\u5167\u5bb9\uff1a
\n\u5f9e\u96f6\u958b\u59cb\uff0c\u9019\u5169\u7bc0\u8ab2\u8b93\u6c92\u6709\u5f88\u591a\u97f3\u6a02\u77e5\u8b58\u7684\u8a69\u73ed\u54e1\u80fd\u5920\u770b\u5f97\u61c2\u5408\u5531\u8b5c\u3002 \u4e5f\u70ba\u4ed6\u5011\u4ee5\u5f8c\u9032\u4e00\u6b65\u7684\u8996\u5531\u8a13\u7df4\u6253\u4e0b\u57fa\u790e\u3002 \u8ab2\u7a0b\u6db5\u84cb\u4ee5\u4e0b\u5167\u5bb9\uff1a
\n\u2022 \u57fa\u672c\u4e94\u7dda\u8b5c\u95b1\u8b80\uff1a\u8b5c\u865f\u3001\u97f3\u9ad8\u3001\u7bc0\u594f\u3001\u529b\u5ea6\u3001\u8868\u9054\u7b49\uff08\u4e5f\u7565\u63d0\u53ca\u7c21\u8b5c\u548clead sheet\uff09\uff1b
\n\u2022 \u5408\u5531\u6a02\u8b5c\u5c0e\u822a\uff1aClosed score\u8207open score\u3001\u91cd\u8907\u3001D.C. al Fine\u3001\u56db\u8072\u90e8\u3001\u92fc\u7434\u8072\u90e8\u7b49\uff1b
\n\u2022 \u8996\u5531\u5165\u9580\uff1a\u9996\u8abf\u8207\u56fa\u5b9a\u8abf\u5531\u6cd5\u3001\u6cd5\u570b\u7bc0\u594f\u5531\u540d\u6cd5\u3001\u8b58\u5225\u6a02\u66f2\u7684\u8abf\uff0c\u6578\u62cd\u5b50\u7b49\uff1b
\n\u2022 \u4e00\u4e9b\u5408\u5531\u5718\u6210\u54e1\u61c9\u6709\u7684\u5e38\u8b58\u3002\n<\/p><\/div>\n

\nTitle: READ, SING, PRAISE – Music Reading Crash Course for Choir Members (I&II)<\/b>
\nDate & Time:
\nSession 1: 20th April, 2024, Saturday, 3.30pm
\nSession 2: 21st April, 2024, Sunday, 3.30pm
\nSpeaker: Mr Francis Fong
\nLanguage of instruction: English (Chinese subtitle)<\/p>\n

Contents:
\nStarting from scratch, the two lessons enable choir members with little music knowledge to be able to follow a choral score. It also lays a foundation for further training in sight singing. The contents cover the following:
\n \u2022 Basic staff notation reading: clef, pitch, rhythm, dynamics, expressions, etc. (also touch upon number notation and lead sheet);
\n \u2022 Choral score navigation: Closed score & open score, repeat, D.C. al Fine, SATB parts, piano part, etc.;
\n \u2022 Introduction to sight-singing: fixed-doh & movable-doh methods, French time names method, keys recognition, rhythmic counting, etc.;
\n \u2022 Some general knowledge for choristers.\n<\/p><\/div>\n<\/div>\n

<\/p>\n

\n
\u8fd4\u56de return<\/b><\/a><\/div>\n
\n\u8b1b\u984c\uff1a\u57fa\u672c\u6307\u63ee\u6280\u5de7<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u4e0b\u5348\u4e94\u70b9\u5341\u4e94
\n\u8b1b\u54e1\uff1a\u9673\u5c0f\u96f2\u6559\u6388
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u82f1\u8a9e (\u83ef\u8a9e\u5b57\u5e55)
\n\u5167\u5bb9\uff1a
\n\u57fa\u672c\u6307\u63ee\u6280\u5de7\u662f\u5c08\u70ba\u6a02\u6a02\u5718\u548c\u5408\u5531\u6307\u63ee\u800c\u8a2d\u8a08\u7684\u5de5\u4f5c\u574a\u3002\u662f\u6b21\u5de5\u4f5c\u574a\u5c07\u8a0e\u8ad6\u6307\u63ee\u548c\u6392\u7df4\u7684\u57fa\u672c\u6280\u5de7\u3002\u5177\u9ad4\u76ee\u6a19\u662f\u5e6b\u52a9\u5b78\u751f\u767c\u5c55\u57fa\u672c\u6307\u63ee\u6280\u8853\u7684\u6280\u80fd\u548c\u77e5\u8b58\u3001\u7bc0\u62cd\u6a21\u5f0f\u3001\u5ef6\u97f3\u3001\u7bc0\u594f\u548c\u529b\u5ea6\u8b8a\u5316\u3001\u5de6\u624b\u624b\u52e2\u3001\u6a02\u8b5c\u5206\u6790\u3001\u6a02\u8b5c\u95b1\u8b80\u3001\u6392\u7df4\u6280\u5de7\u4ee5\u53ca\u6307\u63ee\u548c\u6559\u5c0e\u6559\u6703\u97f3\u6a02\u540c\u5de5\u7684\u5fc3\u7406\u5b78\u3002\n<\/div>\n
\nTitle: Basic Conducting<\/b>
\nDate & Time: 20th April, 2024, Saturday, 5.15pm
\nSpeaker: Prof. Vicky Tan Warkentien
\nLanguage of instruction: English, with Chinese subtitle
\nContents:
\nBasic Conducting is a workshop designed for instrumental and choral conductors. This workshop will address the art and craft of conducting and rehearsing. Specific goals are to help students develop skills in and knowledge of basic conducting technique, beat patterns, fermatas, tempo and dynamic changes, left-hand gestures, mechanics of the score, score reading, rehearsal techniques, and the psychology of conducting and teaching church musicians.<\/p>\n<\/div>\n<\/div>\n

<\/p>\n

\n
\u8fd4\u56de return<\/b><\/a><\/div>\n
\n\u8b1b\u984c\uff1a\u8a69\u6b4c\u656c\u62dc\u7684\u97f3\u6a02\u5448\u73fe<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u4e00\u65e5\uff0c\u79ae\u62dc\u5929\uff0c\u4e0b\u5348\u4e00\u70b9\u56db\u5341\u4e94
\n\u8b1b\u54e1\uff1a\u99ac\u632f\u9f8d\u50b3\u9053
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u83ef\u8a9e(\u82f1\u8a9e\u5b57\u5e55)
\n\u5167\u5bb9\uff1a
\n1. \u656c\u62dc\u7684\u97f3\u6a02\u6280\u5de7
\n2. \u6a02\u5668\u5728\u5d07\u62dc\u4e2d\u7684\u89d2\u8272
\n3. \u97f3\u6a02\u7684\u5f69\u6392\u8207\u5448\u73fe\n<\/div>\n
\nTitle: Putting Worship to Music<\/b>
\nDate & Time: 21st April, 2024, Sunday, 1.45pm
\nSpeaker: Pastor Paul Niednagel
\nLanguage of instruction: Chinese, with English subtitle<\/p>\n

Contents:
\n1. Musical Skills for Worship
\n2. The Role of Instruments in Worship
\n3. Musical Rehearsal and Performance\n<\/p><\/div>\n<\/div>\n

<\/p>\n

\n
\u8fd4\u56de return<\/b><\/a><\/div>\n
\n\u8b1b\u984c\uff1a \u4e2d\u7d1a\u6307\u63ee\u6280\u5de7<\/b>
\n\u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u4e00\u65e5\uff0c\u79ae\u62dc\u5929\uff0c\u4e0b\u5348\u4e94\u70b9\u5341\u4e94\u5206
\n\u8b1b\u54e1\uff1a\u9673\u5c0f\u96f2\u6559\u6388
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u82f1\u8a9e (\u83ef\u8a9e\u5b57\u5e55)
\n\u5167\u5bb9\uff1a
\n\u4e2d\u7d1a\u6307\u63ee\u6280\u5de7\u662f\u57fa\u672c\u6307\u63ee\u6280\u5de7\u7684\u5ef6\u7e8c\u8ab2\u7a0b\u3002\u6b64\u5de5\u4f5c\u574a\u5f37\u8abf\u6559\u4f1a\u8bd7\u73ed\u6307\u6325\u57fa\u672c\u6280\u80fd\u7684\u767c\u5c55\uff0c\u4ee5\u53ca\u65e5\u5e38\u6392\u7df4\u4e2d\u554f\u984c\u7684\u89e3\u6c7a\u65b9\u6848\u8207\u61c9\u7528\uff1b\u5176\u4e3b\u8981\u76ee\u6a19\u662f\u70ba\u6307\u63ee\u63d0\u4f9b\u6559\u6703\u5408\u5531\u8cc7\u8a0a\uff0c\u6280\u8853\u548c\u7d93\u9a57\uff0c\u4ee5\u5e6b\u52a9\u6559\u6703\u97f3\u6a02\u540c\u5de5\u5728\u8056\u6a02\u548c\u5be9\u7f8e\u80fd\u529b\u4e0a\u7684\u767c\u5c55\u3002\n<\/div>\n
\nTitle: Intermediate Conducting<\/b>
\nDate & Time: 20th April, 2024, Saturday, 5.15pm
\nSpeaker: Prof. Vicky Tan Warkentien
\nLanguage of instruction: English, with Chinese subtitle
\nContents:
\nIntermediate Conducting is a continuation of the development in the art of choral conducting. The workshop stresses the development of fundamental skills as well as the application of practical solutions to problems found in everyday rehearsals. The primary goal of this workshop is to provide choral directors with the information, materials, techniques, and experiences required to establish a quality church choral program that will assist in the development of church musicians\u2019 musical and aesthetic capacities.\n<\/div>\n<\/div>\n

<\/p>\n

\n
\n

FOR ENGLISH SCROLL DOWN<\/b><\/p>\n

\u8fd4\u56de return<\/b><\/a><\/div>\n

\n\u8b1b\u984c\uff1a\u5728\u5d07\u62dc\u88e1\u4e2d\u570b\u6a02\u5668\u7684\u904b\u7528 (I) & (II)<\/b>
\n(I) \u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u4e0b\u5348\u4e94\u70b9\u5341\u4e94
\n(II) \u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u4e00\u65e5\uff0c\u79ae\u62dc\u5929\uff0c\u4e0b\u5348\u4e94\u70b9\u5341\u4e94
\n\u8b1b\u54e1\uff1a\u65b9\u9326\u6e90\u8001\u5e2b
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u83ef\u8a9e (\u82f1\u8a9e\u5b57\u5e55)<\/p>\n

\u5167\u5bb9\uff1a
\n\u9019\u500b\u8ab2\u7a0b\u4e3b\u8981\u662f\u7d66\u5c0d\u4e2d\u570b\u97f3\u6a02\u4e0d\u592a\u8a8d\u8b58\u7684\u4eba\uff0c\u53ef\u4ee5\u7372\u5f97\u904b\u7528\u4e2d\u570b\u6a02\u5668\u5728\u5d07\u62dc\u4e2d\u7684\u57fa\u672c\u77e5\u8b58\u3002\u5176\u5167\u5bb9\u5305\u62ec\uff1a
\n\u2022 \u3010\u8056\u6a02\u672c\u8272\u5316\u3011\u7c21\u77ed\u5c0e\u8a00\uff1b
\n\u2022 \u6700\u5e38\u7528\u7684\u5e7e\u4ef6\u4e2d\u570b\u6a02\u5668\u7684\u500b\u5225\u6027\u80fd\u53ca\u914d\u5668\u8981\u6ce8\u610f\u7684\u5730\u65b9\uff1b
\n\u2022 \u4e2d\u570b\u6a02\u5668\u5c0f\u5408\u594f\u548c\u6df7\u5408\u4e2d\u897f\u6a02\u5668\u7684\u914d\u5668\u6cd5\uff1b
\n\u2022 \u7d66\u8a69\u6b4c\u7de8\u914d\u4e2d\u570b\u6a02\u5668\u3002\n<\/p><\/div>\n

\nTitle: The use of Chinese Instruments in Worship (I) & (II)<\/b>
\n(I) Date & Time: 20th April, 2024, Saturday, 5.15pm
\n(II) Date & Time: 21st April, 2024, Sunday, 5.15pm
\nSpeaker: Mr Francis Fong
\nLanguage of instruction: Mandarin, with English subtitle<\/p>\n

Contents:
\nThis course is mainly for people who have little background of Chinese music so that they can build up some basic knowledge on how to use Chinese musical instruments in worship. The contents include:
\n\u2022 Very brief introduction to the concept of \u2018contextualisation of sacred music\u2019;
\n\u2022 Special features of a few most common Chinese musical instruments and things to pay attention to when doing instrumentation;
\n\u2022 Instrumentation for small ensembles of Chinese instruments and ensembles of mixed Chinese and Western instruments;
\n\u2022 Hymn\/anthem arrangements for Chinese instruments.\n<\/p><\/div>\n<\/div>\n

<\/p>\n

\n
\n

FOR ENGLISH SCROLL DOWN<\/b><\/p>\n

\u8fd4\u56de return<\/b><\/a><\/div>\n

\n\u8b1b\u984c\uff1a \u5275\u610f\u4f5c\u66f2\u6280\u6cd5\u4e4b\u300c\u65cb\u661f\u63a2\u79d8\u300d(I) & (II)<\/b>
\n(I) \u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u65e5\uff0c\u79ae\u62dc\u516d\uff0c\u4e0b\u5348\u4e09\u70b9\u4e09\u5341
\n(II) \u65e5\u671f\u53ca\u6642\u9593\uff1a\u56db\u6708\u4e8c\u5341\u4e00\u65e5\uff0c\u79ae\u62dc\u5929\uff0c\u4e0b\u5348\u4e09\u70b9\u4e09\u5341
\n\u8b1b\u54e1\uff1a\u6797\u5efa\u5152\u8001\u5e2b
\n\u6388\u8ab2\u8a9e\u8a00\uff1a\u83ef\u8a9e (\u82f1\u8a9e\u5b57\u5e55)<\/p>\n

\u5167\u5bb9\uff1a<\/p>\n

(I) : \u53ef\u8996\u70ba\u5e8f\u6216\u5c0e\u8a00\u3002
\n\u300c\u5e0c\u81d8\u53e4\u4e94\u8072\uff0c\u5faa\u74b0\u6309\u4e3b\u661f\uff0c
\n \u6642\u4ee3\u7684\u6311\u6230\uff0c\u63db\u65e5\u8ce6\u65b0\u661f\u3002\u300d
\n\u6211\u5617\u8a66\u501f\u53e4\u9451\u4eca\uff0c\u7528\u539f\u59cb\u7684\u5e0c\u81d8\u4e94\u8072\u97f3\u968e\u5f15\u4f38\u4e0d\u540c\u7d20\u6750\uff0c\u793a\u7bc4\u591a\u7a2e\u8072\u97ff\u5275\u4f5c\u53ca\u8b8a\u5316\uff0c\u70ba\u4e00\u822c\u50b3\u7d71\u7684\u8072\u97ff\u7d20\u6750\u6dfb\u679d\u52a0\u8449\uff0c\u85c9\u6b64\u8c50\u5bcc\u53ca\u58ef\u5927\u97f3\u6a02\u5275\u4f5c\u6280\u6cd5\uff0c\u4ee5\u8332\u5206\u4eab\u7d66\u540c\u597d\u3002<\/p>\n

(II) : \u53ef\u8996\u70ba\u4f5c\u66f2\u6280\u6cd5\u7684\u5be6\u8e10\u53ca\u6d3b\u7528\u63a2\u8a0e\u3002
\n\u4e0d\u8ad6\u50b3\u7d71\u6291\u6216\u65b0\u5f0f\u6750\u6599\uff0c\u6211\u5011\u5982\u4f55\u8a2d\u8a08\u4e26\u61c9\u7528\u6240\u9078\u64c7\u7684\u97f3\u7fa4\u53ca\u8072\u97ff\u7d20\u6750\uff1f<\/p>\n

\u5047\u8a2d\uff0c\u6309\u5e7e\u500b\u7c21\u55ae\u661f\u5ea7 (Constellation) \u7684\u4eae\u661f\u5f62\u8c61\uff0c\u5982 :
\n\u5929\u71d5\u5ea7 (Apus) \u03b1, \u03b2, \u03b3, \u03b41, \u03b42 \u4e94\u4eae\u661f\uff0c\u6216\u5929\u9d3f\u5ea7 (Columba) \u03b1, \u03b2, \u03b3, \u03b4, \u03b5, \u03b7, \u03ba \u4e03\u4eae\u661f \u2026\u7b49\uff0c\u7d93\u904e\u97f3\u7fa4\u7684\u6df7\u5408\u8b8a\u5316\u53ca\u91cd\u7d44\u800c\u6a21\u64ec\u6210\u70ba\u4e0d\u540c\u7684\u591a\u8072\u97f3\u7a0b \/ \u97f3\u968e \/ \u548c\u8072\u7d20\u6750 (\u4ee5\u5341\u4e8c\u500b\u534a\u97f3\u4ee5\u5167\u7684\u4efb\u4f55\u6578\u70ba\u9650)\u3002<\/p>\n

1. \u5275\u610f\u5730\u8a2d\u5b9a\u91cd\u9ede\u97f3\u7a0b\u3001\u97f3\u578b\u53ca\u548c\u8072\uff0c\u904b\u7528\u300c\u52a0\u6e1b\u6cd5\u300d(Additive & Subtractive)\u589e\u751f\u591a\u6a23\u53ef\u8b8a\u7684\u7a4d\u9ad4(Variable texture)\u3002
\n 2. \u5168\u66f2\u85c9\u9069\u5207\u7684\u85dd\u8853\u610f\u5883 (Artistic phenomena)\uff0c\u53ca\u914d\u5408\u5404\u7a2e\u5339\u914d\u7684\u7bc0\u594f\u578b\u614b (Rhythmic figures) \u53bb\u5851\u9020\u4e00\u500b\u6070\u7576\u800c\u7d62\u9e97\u7684\u8072\u97ff\u610f\u8c61 (Acoustic image)\u3002<\/p>\n

\u2022 \u7528\u5728\u8ab2\u5802\u4e0a\u7684\u97f3\u968e :
\nPentatonic scales (5 notes) \/ Hexatonic scales (6 notes) \/ Heptatonic scales
\n(7 notes) \/ Octatonic scales (8 notes) \/ Enneatonic scales (9 notes) \/
\nDecatonic scales (10 notes) \/ Combined scales (9-11 notes) \u2026 etc.<\/p>\n

[\u5728\u9019\u500b\u8ab2\u5802\u4e2d\uff0c\u5c07\u6703\u9644\u4e0a\u5927\u91cf\u8b5c\u4f8b\u53ca\u8072\u97ff\u4f8b\u5b50\uff0c\u4ee5\u4f9b\u8996\u807d\u53c3\u8003]<\/p>\n<\/div>\n

\nTitle: Creative Music Composition – \u201cExploration of Spiral Stars\u201d (I) & (II)<\/b>
\nDate & Time: 20th April 2024, Saturday, 3.30pm
\nDate & Time: 21st April 2024, Sunday, 3.30pm
\nSpeaker: Mr. LAM Kin-yee, Gabriel
\nLanguage of instruction: Mandarin, with English subtitle<\/p>\n

Contents:<\/p>\n

A: Forward or Introduction
\n\u300cAncient Greek Pentatonic Scale,
\n\tRecurring in accordance with the main tone [main sequence star];
\n The challenge of the times,
\n\tGive nova for a new day.\u300d
\nI try to learn from the past and the present by using various elements of the ancient Greek Pentatonic Scale. I would like to share this knowledge with you to demonstrate different ways of writing to enrich the traditional methods. <\/p>\n

B: Practice & Live Exploration<\/p>\n

Whether it is traditional or new material, how do we design and apply the chosen tone clusters and sonorities?<\/p>\n

Suppose we use several simple constellations, such as:
\nThe Apus (\u03b1, \u03b2, \u03b3, \u03b41, \u03b42) 5 bright stars,
\n\tColumba (\u03b1, \u03b2, \u03b3, \u03b4, \u03b5, \u03b7, \u03ba) 7 bright stars\u2026.<\/p>\n

to mix and change tone clusters to rearrange and mold into multiple intervals, scales, and harmony material (limiting to any number of semitones within the chromatic scale).<\/p>\n

1\/\tCreatively setting principal intervals, melodic shapes and harmony by using \u2018Additive & Subtractive\u2019 methods to increase multiple variable textures.
\n2\/\tThrough appropriate \u2018artistic phenomena\u2019 to match various \u2018rhythmic figures\u2019 to build an appropriate and ablaze \u2018acoustic image\u2019.<\/p>\n

Scales to be used in class:
\n\tPentatonic scales (5 notes),
\n\tHexatonic scales (6 notes),
\n\tHeptatonic scales (7 notes),
\n\tOctatonic scales (8 notes),
\n\tEnneatonic scales (9 notes),
\n\tDecatonic scales (10 notes),
\n\tCombined scales (9-11 notes)\u2026.etc.<\/p>\n

[A large number of music scores and sound effects will be presented for audio-visual reference. ]<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

\u63d0\u793a \uff1a  \u9ede\u64ca\u8ab2\u7a0b\u4e86\u89e3\u66f4\u591a Hint :  Click on course for in…<\/span><\/p>\n

Read More<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/pages\/3551"}],"collection":[{"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/comments?post=3551"}],"version-history":[{"count":286,"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/pages\/3551\/revisions"}],"predecessor-version":[{"id":4155,"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/pages\/3551\/revisions\/4155"}],"wp:attachment":[{"href":"https:\/\/waccm.com\/en\/wp-json\/wp\/v2\/media?parent=3551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}